Disclaimer: All items listed here are copyrighted by the authors and/or the respective journals or publishers. Usage of the following documents to make digital or hard copies for personal use is accepted as long as this notice and the full citation of the paper(s) appear on top of the copies' first page. Other usage requires specific permission and/or a fee.

Selected publications

Werner Goebl

For a complete list of publications, click here.

  • Goebl, W., Flossmann, S., and Widmer, G. (2010).
    Investigations into between-hand synchronization in Magaloff's Chopin
    Computer Music Journal, 34(3), 35–44. (DOI)

  • Flossmann, S., Goebl, W., Grachten, M., Niedermayer, B., and Widmer, G. (2010).
    The Magaloff project: An interim report
    Journal of New Music Research, 39(4), 363–377. (DOI)

  • Goebl, W., and Palmer, C. (2009).
    Synchronization of timing and motion among performing musicians.
    Music Perception, 26(5), 427–438. (DOI)

  • Goebl, W., and Widmer, G. (2009).
    On the use of computational methods for expressive music performance.
    In Modern Methods for Musicology: Prospects, Proposals, and Realities
    edited by T. Crawford and L. Gibson, (Ashgate Publishing, London), 93–113.

  • Grachten, M., Goebl, W., Flossmann, S., and Widmer, G. (2009).
    Phase-plane representation and visualization of gestural structure in expressive timing.
    Journal of New Music Research, 38(2), 183–195. (DOI)

  • Goebl, W., and Palmer, C. (2008).
    Tactile feedback and timing accuracy in piano performance.
    Experimental Brain Research, 186(3), 471–479. (DOI)

  • Dixon, S. E., Goebl, W., and Cambouropoulos, E. (2006).
    Perceptual smoothness of tempo in expressively performed music.
    Music Perception, 23(3), 195–214. (DOI)

  • Goebl, W., Bresin, R., and Galembo, A. (2005).
    Touch and temporal behavior of grand piano actions.
    Journal of the Acoustical Society of America, 118(2), 1154–1165. (DOI)

  • Widmer, G. and Goebl, W. (2004).
    Computational models of expressive music performance: The state of the art.
    Journal of New Music Research, 33(3), 203–216. (DOI)

  • Widmer, G., Dixon, S. E., Goebl, W., Pampalk, E., & Tobudic, A. (2003).
    In search of the Horowitz factor. AI Magazine, 24(3), 111–130.

  • Goebl, W., & Bresin, R. (2003).
    Measurement and Reproduction Accuracy of Computer Controlled Grand Pianos,
    Journal of the Acoustical Society of America, 114(4), 2273–2283. (DOI)

  • Langner, J., & Goebl, W. (2003).
    Visualizing expressive performance in tempo-loudness space.
    Computer Music Journal, 27(4), 69–83. (DOI)

  • Goebl, W. (2001).
    Melody lead in piano performance: Expressive device or artifact?
    Journal of the Acoustical Society of America, 110(1), 563–572. (DOI)

    see also: Ball, P. (2001). Piano tunes out. Nature Science Update, 18 July 2001. (DOI)

For a complete list of Werner Goebl's publications, click here.