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Selected publications

Complete list of publications • My profile at Google Scholar: Werner Goebl

Weigl, D. M., VanderHart, C., Rammler, D., Pescoller, M., & Goebl, W. (2023).
Listen Here! A Web-native musicology environment for machine-assisted close listening.
In DLfM2023: Proceedings of the 10th International Conference on Digital Libraries for Musicology (pp. 109–118). ACM Digital Library. doi:10.1145/3625135.3625144 Open Access
Goebl, W. and Bishop, L. (2023).
Joint Shaping of Musical Time: How Togetherness Emerges in Music Ensemble Performance.
In C. Wöllner and J. London (eds.), Moving Bodies: Experiencing Time in Music and Dance. Oxford University Press, pp. 179–196. https://global.oup.com/academic/product/performing-time-9780192896254
Goebl, W., & Weigl, D. M. (2022).
Alleviating the last mile of encoding: The mei-friend package for the Atom text editor.
In S. Münnich & D. Rizo (Eds.), Music Encoding Conference Proceedings 2021 (pp. 31–39). University of Alicante.
doi:10.17613/fc1c-mx52 Open Access
(Best paper award MEC 2021)
Parncutt, R., and Goebl, W. (2021).
Piano.
In G. McPherson (ed.), Oxford Handbook on Music Performance. Oxford: Oxford University Press, pp. 355–377.
doi:10.1093/oxfordhb/9780190058869.013.18
Bishop, L., and Goebl, W. (2020).
Negotiating a Shared Interpretation During Piano Duo Performance.
Music & Science, 3, 2059204319896152. doi:10.1177/2059204319896152 Open Access
Bishop, L., Cancino-Chacón, C. E., and Goebl, W. (2019).
Moving to Communicate, Moving to Interact: Patterns of Body Motion in Musical Duo Performance.
Music Perception, 37(1), 1–25. doi:10.1525/mp.2019.37.1.1. Open Access
Bishop, L., Cancino-Chacón, C. E., and Goebl, W. (2019).
Eye gaze as a means of giving and seeking information during musical interaction.
Consciousness and Cognition, 68(1), 73–96. doi:10.1016/j.concog.2019.01.002 Open Access
Cancino-Chacón, C. E., Grachten, M., Goebl, W., and Widmer, G. (2018).
Computational Models of Expressive Music Performance: A Comprehensive and Critical Review.
Frontiers in Digital Humanities. Digital Musicology. 5(25), doi:10.3389/fdigh.2018.00025 Open Access
Bishop, L., and Goebl, W. (2018).
Beating Time: How ensemble musicians’ cueing gestures communicate beat position and tempo.
Psychology of Music, 46(1), 84–106. doi:10.1177/0305735617702971 Open Access
Hofmann, A., Wesolowski, B., and Goebl, W. (2017).
The tight-interlocked rhythm section: Production and perception of synchronisation in Jazz Trio Performance.
Journal of New Music Research, 46(4), 329–341. doi:10.1080/09298215.2017.1355394. Open Access
Bishop, L., and Goebl, W. (2017).
Communication for coordination: Gesture kinematics and conventionality affect synchronization success in piano duos.
Psychological Research, published online 21 July 2017. doi:10.1007/s00426-017-0893-3 Open Access
Hofmann, A., and Goebl, W. (2016).
Finger Forces in Clarinet Playing.
Frontiers in Psychology. Performance Science, 7(1140), 1–12. doi:10.3389/fpsyg.2016.01140. Open Access
Bishop, L., and Goebl, W. (2015).
When they listen and when they watch: Pianists’ use of nonverbal audio and visual cues during duet performance.
Musicae Scientiae, 19(1), 84–110. doi:10.1177/1029864915570355. Open Access
Goebl, W., Bresin, R., and Fujinaga, I. (2014).
Perception of touch quality in piano tones.
Journal of the Acoustical Society of America, 136(5), 2839–2850. doi:10.1121/1.4896461.
Bishop, L. and Goebl, W. (2014).
Context-specific effects of musical expertise on audiovisual integration.
Frontiers in Psychology | Cognitive Science, 6, 1123, doi:10.3389/fpsyg.2014.01123. Open Access
Hofmann, A. and Goebl, W. (2014).
Production and perception of legato, portato and staccato articulation in saxophone playing.
Frontiers in Psychology | Cognitive Science, 6, 690, doi:10.3389/fpsyg.2014.00690. Open Access
Goebl, W., and Palmer, C. (2013).
Temporal control and hand movement efficiency in skilled music performance.
PLOS ONE, 8(1), e50901, doi:10.1371/journal.pone.0050901. Open Access
Goebl, W., Flossmann, S., and Widmer, G. (2010).
Investigations into between-hand synchronization in Magaloff's Chopin.
Computer Music Journal, 34(3), 35–44, doi:10.1162/COMJ_a_00002.
Flossmann, S., Goebl, W., Grachten, M., Niedermayer, B., and Widmer, G. (2010).
The Magaloff project: An interim report.
Journal of New Music Research, 39(4), 363–377, doi:10.1080/09298215.2010.523469.
Goebl, W., and Palmer, C. (2009).
Synchronization of timing and motion among performing musicians.
Music Perception, 26(5), 427–438, doi:10.1525/mp.2009.26.5.427.
Goebl, W., and Palmer, C. (2008).
Tactile feedback and timing accuracy in piano performance.
Experimental Brain Research, 186(3), 471–479, doi:10.1007/s00221-007-1252-1.
Dixon, S. E., Goebl, W., and Cambouropoulos, E. (2006).
Perceptual smoothness of tempo in expressively performed music.
Music Perception, 23(3), 195–214, doi:10.1525/mp.2006.23.3.195.
Goebl, W., Bresin, R., and Galembo, A. (2005).
Touch and temporal behavior of grand piano actions.
Journal of the Acoustical Society of America, 118(2), 1154–1165, doi:10.1121/1.1944648.
Widmer, G. and Goebl, W. (2004).
Computational models of expressive music performance: The state of the art.
Journal of New Music Research, 33(3), 203–216, doi:10.1080/0929821042000317804.
Widmer, G., Dixon, S. E., Goebl, W., Pampalk, E., and Tobudic, A. (2003).
In search of the Horowitz factor. AI Magazine, 24(3), 111–130.
Goebl, W., and Bresin, R. (2003).
Measurement and reproduction accuracy of computer controlled grand pianos,
Journal of the Acoustical Society of America, 114(4), 2273–2283, doi:10.1121/1.1605387.
Langner, J., and Goebl, W. (2003).
Visualizing expressive performance in tempo-loudness space.
Computer Music Journal, 27(4), 69–83, doi:10.1162/014892603322730514.
Goebl, W. (2001).
Melody lead in piano performance: Expressive device or artifact?
Journal of the Acoustical Society of America, 110(1), 563–572, doi:10.1121/1.1376133.

see also: Ball, P. (2001). Piano tunes out. Nature Science Update, 18 July 2001, doi: 10.1038/news010719-17.

For a complete list of Werner Goebl’s publications, click here.