Disclaimer: All items listed here are copyrighted by the authors and/or the respective journals or publishers. Usage of the following documents to make digital or hard copies for personal use is accepted as long as this notice and the full citation of the paper(s) appear on top of the copies' first page. Other usage requires specific permission and/or a fee.

Publications

Werner Goebl

Back to Selected Publications

2011

Goebl, W. (2011).
Temporarily out of sync: Momentary temporal independence of a solo voice as expressive device. Proceedings of Forum Acusticum 2011, (European Acoustics Association, Aalborg, Danmark), pp. 615–619.
Goebl, W. (2011).
Die ungleichzeitige Gleichzeitigkeit des Spiels: Tempo rubato in Magaloffs Chopin und andere Ansynchronizitäten. In: Gemessene Interpretation – Computergestützte Aufführungsanalyse im Kreuzverhör der Disziplinen (Staatliches Institut für Musikforschung Preußischer Kulturbesitz, Berlin), edited by H. v. Loesch and S. Weinzierl, (Schott, Mainz, Germany), pp. 145–156.
Weilguni, M., Smetana, W., Nicolics, J., Kausel, W., and Goebl, W. (2011).
Influence of lamination parameters on mechanical properties of low temperature co-fired ceramic tapes.
Microelectronics Reliability, 51(7), 1253–1256. (DOI)

2010

Goebl, W., Flossmann, S., and Widmer, G. (2010).
Investigations into between-hand synchronization in Magaloff's Chopin.
Computer Music Journal, 34(3), 35–44. (DOI)
Flossmann, S., Goebl, W., Grachten, M., Niedermayer, B., and Widmer, G. (2010).
The Magaloff project: An interim report.
Journal of New Music Research, 39(4), 363–377. (DOI)
Flossmann, S., Goebl, W. and Widmer, G. (2010).
The Magaloff corpus: An empirical error study.
Proceedings of the International Conference on Music Perception and Cognition (ICMPC'11), Seattle, Washington, USA, August 23–27, 2010, pp. 469–473.
Goebl, W. and Palmer, C. (2010).
Analyzing finger motion in piano performance: Touch and tempo effects.
Poster presented at the Second Vienna Talk on Music Acoustics, Vienna, Austria, September 19–21, 2010.

2009

Goebl, W., and Palmer, C. (2009).
Synchronization of timing and motion among performing musicians.
Music Perception, 26(5), 427–438. (DOI)
Goebl, W., and Widmer, G. (2009).
On the use of computational methods for expressive music performance.
In Modern Methods for Musicology: Prospects, Proposals, and Realities edited by T. Crawford and L. Gibson, (Ashgate Publishing, London), 93–113.
Goebl, W., Flossmann, S., and Widmer, G. (2009).
Computational investigations into between-hand synchronization in piano playing: Magaloff's complete Chopin. In Proceedings of the SMC 2009 – 6th Sound and Music Computing Conference, 23–25 July 2009, Porto, Portugal, pp. 291–296.
Grachten, M., Goebl, W., Flossmann, S., and Widmer, G. (2009).
Phase-plane representation and visualization of gestural structure in expressive timing.
Journal of New Music Research, 38(2), 183–195. (DOI)
Goebl, W., and Palmer, C. (2009).
Finger motion in piano performance: Touch and tempo.
International Symposium on Performance Science, ISPS 2009 (15–18 December 2009), Auckland, New Zealand. European Association of Conservatoires (AEC), Utrecht, NL, pp. 65–70.
Flossmann, S., Goebl, W., and Widmer, G. (2009).
Maintaining skill across the life span: Magaloff's entire Chopin at age 77.
International Symposium on Performance Science, ISPS 2009 (15–18 December 2009), Auckland, New Zealand. European Association of Conservatoires (AEC), Utrecht, NL, pp. 119–124.

2008

Goebl, W., and Palmer, C. (2008).
Tactile feedback and timing accuracy in piano performance.
Experimental Brain Research, 186(3), 471–479. (DOI)
Goebl W., Dixon S., DePoli G., Friberg A., Bresin R., Widmer G. (2008).
‘Sense’ in Expressive Music Performance: Data Acquisition, Computational Studies, and Models.
In P. Polotti & D. Rocchesso (Eds.), Sound to Sense – Sense to Sound: A State of the Art in Sound and Music Computing (pp. 195–242). Berlin: Logos. (ISBN 978-3-8325-1600-0)
Goebl, W., and Palmer, C. (2008).
Synchronization of Timing and Motion in Piano Duet Performance. Poster presented at The Neurosciences and Music III, Montréal, Canada.
Goebl, W., and Palmer, C. (2008).
Do movement strategies change across tempo in piano playing? Conference on Empirical Musicology, April 2–3, Institute of Musical Research, London, UK.
Goebl, W., and Fujinaga, I. (2008).
Do key-bottom sounds distinguish piano tones? International Conference on Music Perception and Cognition (ICMPC10), Sapporo, Japan, p. 292.
Grachten, M., Goebl, W., Flossmann, S., and Widmer, G. (2008).
Intuitive visualization of gestures in expressive timing: A case study on the final ritard. Proceedings of the International Conference on Music Perception and Cognition (ICMPC'10), Sapporo, Japan, pp. 228–235.
Grachten, M., Goebl, W., Flossmann, S., and Widmer, G. (2008).
Phase-plane visualizations of gestural structure in expressive timing. Proceedings of the Fourth Conference on Interdisciplinary Musicology (CIM'08) Thessaloniki, Greece: Department of Music Studies, Artistotle University of Thessaloniki.

2007

Goebl, W., and Palmer, C. (2007).
How do finger dynamics change with tempo in skilled piano performance? Proceedings of the Society of Music Perception and Cognition Conference (SMPC07), Montréal, Canada.
Palmer, C., & Goebl, W. (2007).
Anticipatory finger movements in musical sequences, 48th Annual Meeting of the Psychonomic Society, November 15–18, Long Beach, CA.
Goebl, W., and Palmer, C. (2007).
Proprioceptive feedback aids timing accuracy in complex finger sequences. Cognitive Neuroscience Meeting, May 5–8, 2007, New York, Journal of Cognitive Neuroscience, D134, p. 153.

2006

Dixon, S. E., Goebl, W., and Cambouropoulos, E. (2006).
Perceptual smoothness of tempo in expressively performed music.
Music Perception, 23(3), 195–214. (DOI)
Goebl, W. and Palmer, C. (2006).
Anticipatory motion in piano performance.
Journal of the Acoustical Society of America, 120(5), 3004.
Goebl, W. and Widmer, G. (2006).
Unobtrusive practice tools for pianists.
In Proceedings of the 9th International Conference on Music Perception and Cognition (ICMPC9), Aug. 21–26, 2006, Bologna, Italy, 209–214.
Available as Report OFAI-TR-2006-10, Austrian Research Institute for Artificial Intelligence, Vienna.

2005
Goebl, W., Bresin, R., and Galembo, A. (2005).
Touch and temporal behavior of grand piano actions.
Journal of the Acoustical Society of America, 118(2), 1154–1165. (DOI)
Dixon S., Goebl W., and Widmer G. (2005).
The 'Air Worm': An Interface for Real-Time Manipulation of Expressive Music Performance.
In Proceedings of the 2005 International Computer Music Conference (ICMC2005), Sept. 5–9, 2005, Barcelona, Spain, pp. 614–617.
Available as Report OFAI-TR-2005-15, Austrian Research Institute for Artificial Intelligence, Vienna.
Widmer G., Dixon S., Flexer A., Goebl W., Knees P., Madsen S.T., Pampalk E., Pohle T., Schedl M., and Tobudic A. (2005).
The Machine Learning and Intelligent Music Processing Group at the Austrian Research Institute for Artificial Intelligence (OFAI)
In Proceedings of the 2005 International Computer Music Conference (ICMC2005), Sept. 5–9, 2005, Barcelona, Spain, pp. 169–172.
Available as Report OFAI-TR-2005-12, Austrian Research Institute for Artificial Intelligence, Vienna.

2004

Widmer, G. and Goebl, W. (2004).
Computational models of expressive music performance: The state of the art.
Journal of New Music Research, 33(3), 203–216. (DOI)
Goebl, W., Pampalk, E., and Widmer, G. (2004).
Exploring expressive performance trajectories: Six famous pianists play six Chopin pieces.
In Proceedings of the 8th International Conference on Music Perception and Cognition, Evanston (ICMPC8), Aug. 3–7, 2004, Adelaide: Causal Productions, pp. 505–509, CD-ROM.
Available as Report OFAI-TR-2004-06, Austrian Research Institute for Artificial Intelligence, Vienna.
Goebl, W., Bresin, R., and Galembo, A. (2004).
Once again: The perception of piano touch and tone. Can touch audibly change piano sound independently of intensity? In Proceedings of the International Symposium on Musical Acoustics (ISMA'04), Nara, Japan, The Acoustical Society of Japan, pp. 332–335, CD-ROM.
Available as Report OFAI-TR-2004-02, Austrian Research Institute for Artificial Intelligence, Vienna.

2003

Goebl, W. (2003).
The Role of Timing and Intensity in the Production and Perception of Melody in Expressive Piano Performance.
Unpublished doctoral thesis, Karl-Franzens-Universität Graz, Graz, Austria.
Widmer, G., Dixon, S. E., Goebl, W., Pampalk, E., & Tobudic, A. (2003).
In search of the Horowitz factor. AI Magazine, 24(3), 111–130.
Goebl, W., & Bresin, R. (2003).
Measurement and Reproduction Accuracy of Computer Controlled Grand Pianos,
Journal of the Acoustical Society of America, 114(4), 2273–2283. (DOI)
Langner, J., & Goebl, W. (2003).
Visualizing expressive performance in tempo-loudness space.
Computer Music Journal, 27(4), 69–83. (DOI)
Kopiez, R., Bangert, M., Goebl, W., & Altenmüller, E. (2003).
Tempo and loudness analysis of a continuous 28-hour performance of Erik Satie's composition ‘Vexations.’
Journal of New Music Research, 32(3), 243–258. (DOI)
Goebl, W., & Parncutt, R. (2003).
Asynchrony versus intensity as cues for melody perception in chords and real music ( 134kB), In R. Kopiez, A. C. Lehmann, I. Wolther, & C. Wolf (Eds.), Proceedings of the 5th Triennial ESCOM Conference, September 8–13, 2003. Hanover, Germany: Hanover University of Music and Drama, pp. 376–380, CD-ROM.
Kopiez, R., Bangert, M., Altenmüller, E., & Goebl, W. (2003).
Tempo and loudness analysis of a continuous 28-hour performance of Erik Satie's composition ‘Vexations.’ In R. Kopiez, A. C. Lehmann, I. Wolther, & C. Wolf (Eds.), Proceedings of the 5th Triennial ESCOM Conference, September 8–13, 2003. Hanover, Germany: Hanover University of Music and Drama, pp. 372–375, CD-ROM.
Pampalk, E., Goebl, W., and Widmer, G. (2003).
Visualizing changes in the inherent structure of data for exploratory feature selection ( 591kB), Proceedings of the Ninth ACM SIGKDD International Conference on Knowledge Discovery and Data Mining. Washington DC: ACM, pp. 157–166.
Goebl, W., Bresin, R., & Galembo, A. (2003).
The piano action as the performer's interface: Timing properties, dynamic behaviour, and the performer's possibilities ( 831kB), In R. Bresin (Ed.), Proceedings of the Stockholm Music Acoustics Conference, August 6–9, 2003 (SMAC03), Stockholm, Sweden: Department of Speech, Music, and Hearing, Royal Institute of Technology, vol. 1, pp. 156–162.
Goebl, W., & Bresin, R. (2003).
Measurement and reproduction accuracy of computer-controlled grand pianos ( 492kB), In R. Bresin (Ed.), Proceedings of the Stockholm Music Acoustics Conference, August 6–9, 2003 (SMAC03), Stockholm, Sweden: Department of Speech, Music, and Hearing, Royal Institute of Technology, vol. 1, pp. 155–158.

2002

Dixon, S. E., Goebl, W., & Widmer, G. (2002).
The Performance Worm: Real time visulisation based on Langner's representation. ( 715kB),
In Proceedings of the 2002 International Computer Music Conference. Göteborg, Sweden, pp. 361–364.
Dixon, S. E., Goebl, W., & Widmer, G. (2002).
Real time tracking and visualisation of musical expression. ( 723kB),
In C. Anagnostopoulou, M. Ferrand, & A. Smaill (Eds.), Proceedings of the Second International Conference on Music and Artificial Intelligence (ICMAI'2002), Edinburgh. Berlin etc.: Springer, pp. 58–68.
Goebl, W., & Parncutt, R. (2002).
The influence of loudness on the perception of onset asynchronies. (, 56kB),
In C. Stevens, D. Burnham, G. McPherson, E. Schubert, & J. Renwick (Eds.), Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney. (ICMPC'2002). Adelaide: Causal Productions, pp. 613–616, CD-ROM.
Dixon, S. E., & Goebl, W. (2002).
Pinpointing the beat: Tapping to expressive performances ( 46kB),
In C. Stevens, D. Burnham, G. McPherson, E. Schubert, & J. Renwick (Eds.), Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney. (ICMPC'2002). Adelaide: Causal Productions, pp. 617–620, CD-ROM.
Langner, J., & Goebl, W. (2002).
Representing expressive performance in tempo-loudness space. ( 389kB)
ESCOM 10th Anniversary Conference on Musical Creativity, April 5–8, 2002. Liège, CD-ROM.

2001

Goebl, W. (2001).
Melody lead in piano performance: Expressive device or artifact?
Journal of the Acoustical Society of America, 110(1), 563–572. (DOI)

see also: Ball, P. (2001). Piano tunes out. Nature Science Update, 18 July 2001. (DOI)
Goebl, W., & Bresin, R. (2001).
Are computer-controlled pianos a reliable tool in music performance research? Recording and reproduction precision of a Yamaha Disklavier grand piano. (, 287kB)
Proceedings of the MOSART workshop on current research directions in computer music, 15–17 Nov 2001, Barcelona.
Langner, J., & Goebl, W. (2001).
Was kennzeichnet die Interpretation eines guten Musikers? Die integrierte Analyse von Tempo- und Lautstärkegestaltung und ihre musikpädagogischen Anwendungsperspektiven. (, 287kB)
Multimedia als Gegenstand musikpädagogischer Forschung, 5.–7. Okt. 2001. Regensburg, Germany.
Goebl, W., & Dixon, S. E. (2001).
Analyses of tempo classes in performances of Mozart piano sonatas. (, 121kB)
In H. Lappalainen (Ed.), Proceedings of the VII International Symposium on Systematic and Comparative Musicology, III International Conference on Cognitive Musicology, August 16-19, 2001. Jyväskylä, Finland, pp. 65–76.
Cambouropoulos, E., Dixon, S. E., Goebl, W., & Widmer, G. (2001).
Human preferences for tempo smoothness. ( 448kB)
In H. Lappalainen (Ed.), Proceedings of the VII International Symposium on Systematic and Comparative Musicology, III International Conference on Cognitive Musicology, August, 16–19, 2001. Jyväskylä, Finland, pp. 18–26.
Goebl, W., & Parncutt, R. (2001).
Perception of onset asynchronies: Acoustic piano versus synthesized complex versus pure tones. ( 49kB)
Meeting of the Society for Music Perception and Cognition (SMPC2001), August 9–11, 2001. Kingston, Ontario, Canada, pp. 21–22.
Dixon, S. E., Goebl, W., & Cambouropoulos, E. (2001).
Beat extraction from expressive musical performances.
Meeting of the Society for Music Perception and Cognition (SMPC2001), August 9–11, 2001. Kingston, Ontario, Canada, pp. 62–63.

2000 and before

Goebl, W. (2000).
Skilled Piano Performance: Melody Lead Caused by Dynamic Differentiation.
In C. Woods, G. Luck, R. Brochard, F. Seddon, & J. A. Sloboda (Eds.), Proceedings of the 6th International Conference on Music Perception and Cognition, Keele, UK (ICMPC6). Keele University, Department of Psychology, pp. 1165–1176, CD-ROM.
Goebl, W. (1999).
Numerisch-klassifikatorische Interpretationsanalyse mit dem ‘Bösendorfer Computerflügel’.
Diplomarbeit, Universität Wien 1999. (in German)
- Band I. ( 1.71MB)
- Band II. Graphiken und Abbildungen. (1.24MB)
Goebl, W. (1999).
Analysis of piano performance: towards a common performance standard?
Society of Music Perception and Cognition Conference (SMPC99), Evanston, USA, August 14–17, 1999.

Back to Selected Publications

Werner Goebl Institute of Musical Acoustics (Wiener Klangstil) University of Music and Performing Arts Vienna
Home Research Publications Biography	Disclaimer: All items listed here are copyrighted by the authors and/or the respective journals or publishers. Usage of the following documents to make digital or hard copies for personal use is accepted as long as this notice and the full citation of the paper(s) appear on top of the copies' first page. Other usage requires specific permission and/or a fee. Publications Werner Goebl Back to Selected Publications 2011 Goebl, W. (2011). Temporarily out of sync: Momentary temporal independence of a solo voice as expressive device. Proceedings of Forum Acusticum 2011, (European Acoustics Association, Aalborg, Danmark), pp. 615–619. Goebl, W. (2011). Die ungleichzeitige Gleichzeitigkeit des Spiels: Tempo rubato in Magaloffs Chopin und andere Ansynchronizitäten. In: Gemessene Interpretation – Computergestützte Aufführungsanalyse im Kreuzverhör der Disziplinen (Staatliches Institut für Musikforschung Preußischer Kulturbesitz, Berlin), edited by H. v. Loesch and S. Weinzierl, (Schott, Mainz, Germany), pp. 145–156. Weilguni, M., Smetana, W., Nicolics, J., Kausel, W., and Goebl, W. (2011). Influence of lamination parameters on mechanical properties of low temperature co-fired ceramic tapes. Microelectronics Reliability, 51(7), 1253–1256. (DOI) 2010 Goebl, W., Flossmann, S., and Widmer, G. (2010). Investigations into between-hand synchronization in Magaloff's Chopin. Computer Music Journal, 34(3), 35–44. (DOI) Flossmann, S., Goebl, W., Grachten, M., Niedermayer, B., and Widmer, G. (2010). The Magaloff project: An interim report. Journal of New Music Research, 39(4), 363–377. (DOI) Flossmann, S., Goebl, W. and Widmer, G. (2010). The Magaloff corpus: An empirical error study. Proceedings of the International Conference on Music Perception and Cognition (ICMPC'11), Seattle, Washington, USA, August 23–27, 2010, pp. 469–473. Goebl, W. and Palmer, C. (2010). Analyzing finger motion in piano performance: Touch and tempo effects. Poster presented at the Second Vienna Talk on Music Acoustics, Vienna, Austria, September 19–21, 2010. 2009 Goebl, W., and Palmer, C. (2009). Synchronization of timing and motion among performing musicians. Music Perception, 26(5), 427–438. (DOI) Goebl, W., and Widmer, G. (2009). On the use of computational methods for expressive music performance. In Modern Methods for Musicology: Prospects, Proposals, and Realities edited by T. Crawford and L. Gibson, (Ashgate Publishing, London), 93–113. Goebl, W., Flossmann, S., and Widmer, G. (2009). Computational investigations into between-hand synchronization in piano playing: Magaloff's complete Chopin. In Proceedings of the SMC 2009 – 6th Sound and Music Computing Conference, 23–25 July 2009, Porto, Portugal, pp. 291–296. Grachten, M., Goebl, W., Flossmann, S., and Widmer, G. (2009). Phase-plane representation and visualization of gestural structure in expressive timing. Journal of New Music Research, 38(2), 183–195. (DOI) Goebl, W., and Palmer, C. (2009). Finger motion in piano performance: Touch and tempo. International Symposium on Performance Science, ISPS 2009 (15–18 December 2009), Auckland, New Zealand. European Association of Conservatoires (AEC), Utrecht, NL, pp. 65–70. Flossmann, S., Goebl, W., and Widmer, G. (2009). Maintaining skill across the life span: Magaloff's entire Chopin at age 77. International Symposium on Performance Science, ISPS 2009 (15–18 December 2009), Auckland, New Zealand. European Association of Conservatoires (AEC), Utrecht, NL, pp. 119–124. 2008 Goebl, W., and Palmer, C. (2008). Tactile feedback and timing accuracy in piano performance. Experimental Brain Research, 186(3), 471–479. (DOI) Goebl W., Dixon S., DePoli G., Friberg A., Bresin R., Widmer G. (2008). ‘Sense’ in Expressive Music Performance: Data Acquisition, Computational Studies, and Models. In P. Polotti & D. Rocchesso (Eds.), Sound to Sense – Sense to Sound: A State of the Art in Sound and Music Computing (pp. 195–242). Berlin: Logos. (ISBN 978-3-8325-1600-0) Goebl, W., and Palmer, C. (2008). Synchronization of Timing and Motion in Piano Duet Performance. Poster presented at The Neurosciences and Music III, Montréal, Canada. Goebl, W., and Palmer, C. (2008). Do movement strategies change across tempo in piano playing? Conference on Empirical Musicology, April 2–3, Institute of Musical Research, London, UK. Goebl, W., and Fujinaga, I. (2008). Do key-bottom sounds distinguish piano tones? International Conference on Music Perception and Cognition (ICMPC10), Sapporo, Japan, p. 292. Grachten, M., Goebl, W., Flossmann, S., and Widmer, G. (2008). Intuitive visualization of gestures in expressive timing: A case study on the final ritard. Proceedings of the International Conference on Music Perception and Cognition (ICMPC'10), Sapporo, Japan, pp. 228–235. Grachten, M., Goebl, W., Flossmann, S., and Widmer, G. (2008). Phase-plane visualizations of gestural structure in expressive timing. Proceedings of the Fourth Conference on Interdisciplinary Musicology (CIM'08) Thessaloniki, Greece: Department of Music Studies, Artistotle University of Thessaloniki. 2007 Goebl, W., and Palmer, C. (2007). How do finger dynamics change with tempo in skilled piano performance? Proceedings of the Society of Music Perception and Cognition Conference (SMPC07), Montréal, Canada. Palmer, C., & Goebl, W. (2007). Anticipatory finger movements in musical sequences, 48th Annual Meeting of the Psychonomic Society, November 15–18, Long Beach, CA. Goebl, W., and Palmer, C. (2007). Proprioceptive feedback aids timing accuracy in complex finger sequences. Cognitive Neuroscience Meeting, May 5–8, 2007, New York, Journal of Cognitive Neuroscience, D134, p. 153. 2006 Dixon, S. E., Goebl, W., and Cambouropoulos, E. (2006). Perceptual smoothness of tempo in expressively performed music. Music Perception, 23(3), 195–214. (DOI) Goebl, W. and Palmer, C. (2006). Anticipatory motion in piano performance. Journal of the Acoustical Society of America, 120(5), 3004. Goebl, W. and Widmer, G. (2006). Unobtrusive practice tools for pianists. In Proceedings of the 9th International Conference on Music Perception and Cognition (ICMPC9), Aug. 21–26, 2006, Bologna, Italy, 209–214. Available as Report OFAI-TR-2006-10, Austrian Research Institute for Artificial Intelligence, Vienna. 2005 Goebl, W., Bresin, R., and Galembo, A. (2005). Touch and temporal behavior of grand piano actions. Journal of the Acoustical Society of America, 118(2), 1154–1165. (DOI) Dixon S., Goebl W., and Widmer G. (2005). The 'Air Worm': An Interface for Real-Time Manipulation of Expressive Music Performance. In Proceedings of the 2005 International Computer Music Conference (ICMC2005), Sept. 5–9, 2005, Barcelona, Spain, pp. 614–617. Available as Report OFAI-TR-2005-15, Austrian Research Institute for Artificial Intelligence, Vienna. Widmer G., Dixon S., Flexer A., Goebl W., Knees P., Madsen S.T., Pampalk E., Pohle T., Schedl M., and Tobudic A. (2005). The Machine Learning and Intelligent Music Processing Group at the Austrian Research Institute for Artificial Intelligence (OFAI) In Proceedings of the 2005 International Computer Music Conference (ICMC2005), Sept. 5–9, 2005, Barcelona, Spain, pp. 169–172. Available as Report OFAI-TR-2005-12, Austrian Research Institute for Artificial Intelligence, Vienna. 2004 Widmer, G. and Goebl, W. (2004). Computational models of expressive music performance: The state of the art. Journal of New Music Research, 33(3), 203–216. (DOI) Goebl, W., Pampalk, E., and Widmer, G. (2004). Exploring expressive performance trajectories: Six famous pianists play six Chopin pieces. In Proceedings of the 8th International Conference on Music Perception and Cognition, Evanston (ICMPC8), Aug. 3–7, 2004, Adelaide: Causal Productions, pp. 505–509, CD-ROM. Available as Report OFAI-TR-2004-06, Austrian Research Institute for Artificial Intelligence, Vienna. Goebl, W., Bresin, R., and Galembo, A. (2004). Once again: The perception of piano touch and tone. Can touch audibly change piano sound independently of intensity? In Proceedings of the International Symposium on Musical Acoustics (ISMA'04), Nara, Japan, The Acoustical Society of Japan, pp. 332–335, CD-ROM. Available as Report OFAI-TR-2004-02, Austrian Research Institute for Artificial Intelligence, Vienna. 2003 Goebl, W. (2003). The Role of Timing and Intensity in the Production and Perception of Melody in Expressive Piano Performance. Unpublished doctoral thesis, Karl-Franzens-Universität Graz, Graz, Austria. Widmer, G., Dixon, S. E., Goebl, W., Pampalk, E., & Tobudic, A. (2003). In search of the Horowitz factor. AI Magazine, 24(3), 111–130. Goebl, W., & Bresin, R. (2003). Measurement and Reproduction Accuracy of Computer Controlled Grand Pianos, Journal of the Acoustical Society of America, 114(4), 2273–2283. (DOI) Langner, J., & Goebl, W. (2003). Visualizing expressive performance in tempo-loudness space. Computer Music Journal, 27(4), 69–83. (DOI) Kopiez, R., Bangert, M., Goebl, W., & Altenmüller, E. (2003). Tempo and loudness analysis of a continuous 28-hour performance of Erik Satie's composition ‘Vexations.’ Journal of New Music Research, 32(3), 243–258. (DOI) Goebl, W., & Parncutt, R. (2003). Asynchrony versus intensity as cues for melody perception in chords and real music ( 134kB), In R. Kopiez, A. C. Lehmann, I. Wolther, & C. Wolf (Eds.), Proceedings of the 5th Triennial ESCOM Conference, September 8–13, 2003. Hanover, Germany: Hanover University of Music and Drama, pp. 376–380, CD-ROM. Kopiez, R., Bangert, M., Altenmüller, E., & Goebl, W. (2003). Tempo and loudness analysis of a continuous 28-hour performance of Erik Satie's composition ‘Vexations.’ In R. Kopiez, A. C. Lehmann, I. Wolther, & C. Wolf (Eds.), Proceedings of the 5th Triennial ESCOM Conference, September 8–13, 2003. Hanover, Germany: Hanover University of Music and Drama, pp. 372–375, CD-ROM. Pampalk, E., Goebl, W., and Widmer, G. (2003). Visualizing changes in the inherent structure of data for exploratory feature selection ( 591kB), Proceedings of the Ninth ACM SIGKDD International Conference on Knowledge Discovery and Data Mining. Washington DC: ACM, pp. 157–166. Goebl, W., Bresin, R., & Galembo, A. (2003). The piano action as the performer's interface: Timing properties, dynamic behaviour, and the performer's possibilities ( 831kB), In R. Bresin (Ed.), Proceedings of the Stockholm Music Acoustics Conference, August 6–9, 2003 (SMAC03), Stockholm, Sweden: Department of Speech, Music, and Hearing, Royal Institute of Technology, vol. 1, pp. 156–162. Goebl, W., & Bresin, R. (2003). Measurement and reproduction accuracy of computer-controlled grand pianos ( 492kB), In R. Bresin (Ed.), Proceedings of the Stockholm Music Acoustics Conference, August 6–9, 2003 (SMAC03), Stockholm, Sweden: Department of Speech, Music, and Hearing, Royal Institute of Technology, vol. 1, pp. 155–158. 2002 Dixon, S. E., Goebl, W., & Widmer, G. (2002). The Performance Worm: Real time visulisation based on Langner's representation. ( 715kB), In Proceedings of the 2002 International Computer Music Conference. Göteborg, Sweden, pp. 361–364. Dixon, S. E., Goebl, W., & Widmer, G. (2002). Real time tracking and visualisation of musical expression. ( 723kB), In C. Anagnostopoulou, M. Ferrand, & A. Smaill (Eds.), Proceedings of the Second International Conference on Music and Artificial Intelligence (ICMAI'2002), Edinburgh. Berlin etc.: Springer, pp. 58–68. Goebl, W., & Parncutt, R. (2002). The influence of loudness on the perception of onset asynchronies. (, 56kB), In C. Stevens, D. Burnham, G. McPherson, E. Schubert, & J. Renwick (Eds.), Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney. (ICMPC'2002). Adelaide: Causal Productions, pp. 613–616, CD-ROM. Dixon, S. E., & Goebl, W. (2002). Pinpointing the beat: Tapping to expressive performances ( 46kB), In C. Stevens, D. Burnham, G. McPherson, E. Schubert, & J. Renwick (Eds.), Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney. (ICMPC'2002). Adelaide: Causal Productions, pp. 617–620, CD-ROM. Langner, J., & Goebl, W. (2002). Representing expressive performance in tempo-loudness space. ( 389kB) ESCOM 10th Anniversary Conference on Musical Creativity, April 5–8, 2002. Liège, CD-ROM. 2001 Goebl, W. (2001). Melody lead in piano performance: Expressive device or artifact? Journal of the Acoustical Society of America, 110(1), 563–572. (DOI) see also: Ball, P. (2001). Piano tunes out. Nature Science Update, 18 July 2001. (DOI) Goebl, W., & Bresin, R. (2001). Are computer-controlled pianos a reliable tool in music performance research? Recording and reproduction precision of a Yamaha Disklavier grand piano. (, 287kB) Proceedings of the MOSART workshop on current research directions in computer music, 15–17 Nov 2001, Barcelona. Langner, J., & Goebl, W. (2001). Was kennzeichnet die Interpretation eines guten Musikers? Die integrierte Analyse von Tempo- und Lautstärkegestaltung und ihre musikpädagogischen Anwendungsperspektiven. (, 287kB) Multimedia als Gegenstand musikpädagogischer Forschung, 5.–7. Okt. 2001. Regensburg, Germany. Goebl, W., & Dixon, S. E. (2001). Analyses of tempo classes in performances of Mozart piano sonatas. (, 121kB) In H. Lappalainen (Ed.), Proceedings of the VII International Symposium on Systematic and Comparative Musicology, III International Conference on Cognitive Musicology, August 16-19, 2001. Jyväskylä, Finland, pp. 65–76. Cambouropoulos, E., Dixon, S. E., Goebl, W., & Widmer, G. (2001). Human preferences for tempo smoothness. ( 448kB) In H. Lappalainen (Ed.), Proceedings of the VII International Symposium on Systematic and Comparative Musicology, III International Conference on Cognitive Musicology, August, 16–19, 2001. Jyväskylä, Finland, pp. 18–26. Goebl, W., & Parncutt, R. (2001). Perception of onset asynchronies: Acoustic piano versus synthesized complex versus pure tones. ( 49kB) Meeting of the Society for Music Perception and Cognition (SMPC2001), August 9–11, 2001. Kingston, Ontario, Canada, pp. 21–22. Dixon, S. E., Goebl, W., & Cambouropoulos, E. (2001). Beat extraction from expressive musical performances. Meeting of the Society for Music Perception and Cognition (SMPC2001), August 9–11, 2001. Kingston, Ontario, Canada, pp. 62–63. 2000 and before Goebl, W. (2000). Skilled Piano Performance: Melody Lead Caused by Dynamic Differentiation. In C. Woods, G. Luck, R. Brochard, F. Seddon, & J. A. Sloboda (Eds.), Proceedings of the 6th International Conference on Music Perception and Cognition, Keele, UK (ICMPC6). Keele University, Department of Psychology, pp. 1165–1176, CD-ROM. Goebl, W. (1999). Numerisch-klassifikatorische Interpretationsanalyse mit dem ‘Bösendorfer Computerflügel’. Diplomarbeit, Universität Wien 1999. (in German) Band I. ( 1.71MB) Band II. Graphiken und Abbildungen. (1.24MB) Goebl, W. (1999). Analysis of piano performance: towards a common performance standard? Society of Music Perception and Cognition Conference (SMPC99), Evanston, USA, August 14–17, 1999. Back to Selected Publications
Last update: 2012-03-06 18:01