Publications
Total number of scientific publications: 72
Peer-reviewed Journal Publications:
- Lluís, F., Meyer-Kahlen, N., Chatziioannou, V., & Hofmann, A. (2023). Direction Specific Ambisonics Source Separation with End-To-End Deep Learning. Acta Acustica, (accepted, in print).
- Lluís, F., Chatziioannou, V., & Hofmann, A. (2022). Points2Sound: from mono to binaural audio using 3D point cloud scenes. J AUDIO SPEECH MUSIC PROC, 33, 1–15. https://doi.org/10.1186/s13636-022-00265-4
- Hofmann, A., Miksa, T., Knees, P., Bakos, A., Saglam, H., Ahmedaja, A., … Rauber, A. (2021). Enabling FAIR use of Ethnomusicology Data - through Distributed Repositories, Linked Data and Music Information Retrieval. Empirical Musicology Review – Special Issue on Open Science in Musicology, 16(1), 47–64. https://doi.org/10.18061/emr.v16i1.7632 [pdf]
- Pàmies-Vilà, M., Hofmann, A., & Chatziioannou, V. (2020). The influence of the vocal tract on the attack transients in clarinet playing. Journal of New Music Research, 49(2), 126–135. https://doi.org/10.1080/09298215.2019.1708412
- Chatziioannou, V., Schmutzhard, S., Pàmies-Vilà, M., & Hofmann, A. (2019). Investigating Clarinet Articulation Using a Physical Model and an Artificial Blowing Machine. Acta Acustica United with Acustica, 105(4), 682–694. https://doi.org/10.3813/AAA.919348
- Pàmies-Vilà, M., Hofmann, A., & Chatziioannou, V. (2018). Analysis of Tonguing and Blowing Actions During Clarinet Performance. Frontiers in Psychology, 9, 617. https://doi.org/10.3389/fpsyg.2018.00617
- Hofmann, A., Wesolowski, B. C., & Goebl, W. (2017). The Tight-interlocked Rhythm Section: Production and Perception of Synchronisation in Jazz Trio Performance. Journal of New Music Research, 46(4), 329–341. https://doi.org/10.1080/09298215.2017.1355394
- Hofmann, A., & Goebl, W. (2016). Finger forces in Clarinet playing. Frontiers in Psychology. Performance Science, 7(1140). https://doi.org/10.3389/fpsyg.2016.01140
- Wesolowski, B. C., & Hofmann, A. (2016). There’s More to Groove than Bass in Electronic Dance Music: Why Some People Won’t Dance to Techno. PLoS ONE, 11(10:e0163938). https://doi.org/10.1371/journal.pone.0163938
- Chatziioannou, V., & Hofmann, A. (2015). Physics-based analysis of articulatory player actions in single-reed woodwind instruments. Acta Acustica United with Acustica, 101(2), 292–299. https://doi.org/10.3813/AAA.918827
- Hofmann, A., & Goebl, W. (2014). Production and perception of legato, portato and staccato articulation in saxophone playing. Frontiers in Psychology. Cognitive Science, 5(690). https://doi.org/10.3389/fpsyg.2014.00690
All scientific publications sorted by year:
Total number of scientific publications: 72
2023:
- Lluís, F., Meyer-Kahlen, N., Chatziioannou, V., & Hofmann, A. (2023). Direction Specific Ambisonics Source Separation with End-To-End Deep Learning. Acta Acustica, (accepted, in print).
- Ahmedaja, A., Beitane, A., Hofmann, A., & Weise, M. (2023). Connecting Ethnomusicology Data Collections Using Distributed Repositories and Linked Data Technology (abstract). In Proceedings of the 3rd Conference of the Portuguese ICTM National Committee (p. 8). University of Aveiro, PT.
- Zorn, D., & Hofmann, A. (2023). Exploring interpretations of algorithmic compositions as live electronic performances. A Case Study on Chowing’s ’Stria’ (abstract). In Proceedings of Vintage Materialities in Music (Belgium) (pp. in print). Orpheus Instituut - Genth, BE.
2022:
- Lluís, F., Chatziioannou, V., & Hofmann, A. (2022). Points2Sound: from mono to binaural audio using 3D point cloud scenes. J AUDIO SPEECH MUSIC PROC, 33, 1–15. https://doi.org/10.1186/s13636-022-00265-4
- Ahmedaja, A., Beitane, A., Lin, C. P., & Hofmann, A. (2022). Towards Connecting Ethnomusicology Data Collections Using Distributed Repositories and Linked Data Technology – Exploring Data Repositories, Dublin Core, and Linked Data Towards Interoperable Ethnomusicology Collections (abstract). In Proceedings of the 24th Meeting of the Study Group on Historical Sources (ICTM Belgium). KUL - Leuven, BE.
- Marruffo, A. C., Thilakan, J., Hofmann, A., Chatziioannou, V., & Kob, M. (2022). Analysing musicians’ acoustic shadowing on the directivity of the trumpet. In Proceedings of the DAGA 2022 (pp. 131–133). [pdf]
- Lluís, F., Meyer-Kahlen, N., Chatziioannou, V., & Hofmann, A. (2022). A Deep Learning Approach for Angle Specific Source Separation from Raw Ambisonics Signals. In Proceedings of the DAGA 2022 (pp. 150–153). [pdf]
2021:
- Hofmann, A., Miksa, T., Knees, P., Bakos, A., Saglam, H., Ahmedaja, A., … Rauber, A. (2021). Enabling FAIR use of Ethnomusicology Data - through Distributed Repositories, Linked Data and Music Information Retrieval. Empirical Musicology Review – Special Issue on Open Science in Musicology, 16(1), 47–64. https://doi.org/10.18061/emr.v16i1.7632 [pdf]
- Hofmann, A. (2021). Study for virtual keyboard instrument and hand tracking in a VR environment. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME) (pp. (in print). https://doi.org/10.21428/92fbeb44.2e31abfe [pdf]
- Marruffo, A. C., Mayer, A., Hofmann, A., Chatziioannou, V., & Kausel, W. (2021). Experimental investigation of high-resolution measurements of directivity patterns. In Proceedings of the DAGA 2021 (pp. 856–859). [pdf]
2020:
- Weigl, D. M., Goebl, W., Hofmann, A., Crawford, T., Zubani, F., Liem, C. C. S., & Porter, A. (2020). Read/Write Digital Libraries for Musicology. In 7th International Conference on Digital Libraries for Musicology (pp. 48–52). New York, NY, USA: Association for Computing Machinery. https://doi.org/10.1145/3424911.3425519
- Pàmies-Vilà, M., Hofmann, A., & Chatziioannou, V. (2020). The influence of the vocal tract on the attack transients in clarinet playing. Journal of New Music Research, 49(2), 126–135. https://doi.org/10.1080/09298215.2019.1708412
2019:
- Hofmann, A., Schmutzhard, S., Pàmies-Vilà, M., Erdoğan, G., & Chatziioannou, V. (2019). An opcode implementation of a finite difference viscothermal time-domain model of a tube resonator for wind instrument simulations. In The Fifth International Csound Conference ICSC2019. Cagli, IT. [pdf]
- Hofmann, A., Chatziioannou, V., Schmutzhard, S., Erdoğan, G., & Mayer, A. (2019). The Half-Physler: An oscillating real-time interface to a tube resonator model. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME) 2019 (pp. 130–133). Porto Allegre, BR: Federal University of Rio Grande do Sul. [pdf]
- Hofmann, A., Schmutzhard, S., & Chatziioannou, V. (2019). Experimental setup for real-time control of a single-reed woodwind instrument model (Demo-Paper). In Proceedings of the 2019 International Symposium on Musical Acoustics (p. 32). Detmold, DE. [pdf]
- Chatziioannou, V., Schmutzhard, S., Pàmies-Vilà, M., & Hofmann, A. (2019). Investigating Clarinet Articulation Using a Physical Model and an Artificial Blowing Machine. Acta Acustica United with Acustica, 105(4), 682–694. https://doi.org/10.3813/AAA.919348
- Sağlam, H., Ahmedaja, A., Hofmann, A., Knees, P., & Miksa, T. (2019). Towards An Alliance For Distributed Music Data (abstract). In Abstracts of The 45th International Council for Traditional Music World Conference (pp. 226–227). Bangkok, TH: Chulalongkorn University.
- Chatziioannou, V., Hofmann, A., & Schmutzhard, S. (2019). A real-time physical model to simulate player control in woodwind instruments. In Proceedings of ISMA 2019 International Symposium on Acsoustics (pp. 279–283). Detmold, DE. [pdf]
- Chatziioannou, V., Schmutzhard, S., Hofmann, A., & Pàmies-Vilà, M. (2019). Inverse modelling of clarinet performance. In Proceedings of the 26th International Congress on Sound and Vibration. Montreal, CA.
- Pàmies-Vilà, M., Hofmann, A., & Chatziioannou, V. (2019). Reproducing tonguing strategies in single-reed woodwinds using an artificial blowing machine (abstract). In Proceedings of Meetings on Acoustics (p. 1677). https://doi.org/10.1121/1.5101151
- Mallinger, P., Pàmies-Vilà, M., Chatziioannou, V., & Hofmann, A. (2019). Analysis of reed vibrations and mouthpiece pressure in contemporary bass clarinet playing techniques. In Proceedings of the 2019 International Symposium on Musical Acoustics (pp. 90–94). Detmold, DE. [pdf]
- Pàmies-Vilà, M., Hofmann, A., & Chatziioannou, V. (2019). The player-reed interaction during note transitions in the clarinet (abstract). In Proceedings of the 2019 International Symposium on Musical Acoustics (pp. 320–327). Detmold, DE. [pdf]
- Schmutzhard, S., Pàmies-Vilà, M., Hofmann, A., & Chatziioannou, V. (2019). Numerical simulation of transients in single reed woodwind instruments. In Proceedings of the 2019 International Congress on Acoustics. Aachen, DE. [pdf]
2018:
- Chatziioannou, V., Pàmies-Vilà, M., Schmutzhard, S., & Hofmann, A. (2018). Physics-based resynthesis of clarinet performance using numerical optimization (abstract). In The Journal of the Acoustical Society of America (Vol. 144, pp. 1752–1752). https://doi.org/10.1121/1.5067762
- Gangl, M., & Hofmann, A. (2018). Intonation auf der Es-Klarinette. In ’rohrblatt - Die Zeitschrift für Oboe, Klarinette, Fagott und Saxophon (Vol. 33(2), pp. 57–61). [pdf]
- Pàmies-Vilà, M., Hofmann, A., & Chatziioannou, V. (2018). Analysis of Tonguing and Blowing Actions During Clarinet Performance. Frontiers in Psychology, 9, 617. https://doi.org/10.3389/fpsyg.2018.00617
2017:
- Hofmann, A., Wesolowski, B. C., & Goebl, W. (2017). The Tight-interlocked Rhythm Section: Production and Perception of Synchronisation in Jazz Trio Performance. Journal of New Music Research, 46(4), 329–341. https://doi.org/10.1080/09298215.2017.1355394
- Hofmann, A., Chatziioannou, V., Mayer, A., & Hartmann, H. (2017). Monitoring saxophone reed vibrations using a piezoelectric sensor. In 173rd Meeting of the Acoustical Society of America and the 8th Forum Acusticum (Vol. 141, p. 3619). Boston, MA: The Journal of the Acoustical Society of America. https://doi.org/10.1121/1.4987765
- Hofmann, A., Waerstad, B. I., Balasubramanian, S., & Koch, K. E. (2017). From interface design to the software instrument - Mapping as an approach to FX-instrument building. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME) 2017 (pp. 133–138). Copenhagen, DK: Aalborg University Copenhagen. [pdf]
- Chatziioannou, V., & Hofmann, A. (2017). Single-reed woodwinds: From physical modeling to sound radiation. In Journal of the Acoustical Society of America (JASA) (Vol. 142, p. 2510). https://doi.org/10.1121/1.5014166
- Chatziioannou, V., Hofmann, A., & Pàmies-Vilà, M. (2017). An artificial blowing machine to investigate single-reed woodwind instruments under controlled articulation conditions. In Proceedings of Meetings on Acoustics (Vol. 31, p. 035003). https://doi.org/10.1121/2.0000794
- Pàmies-Vilà, M., Scavone, G., Hofmann, A., & Chatziioannou, V. (2017). Investigating vocal tract modifications during saxophone performance. In Proceedings of Meetings on Acoustics (Vol. 31, p. 035002). https://doi.org/10.1121/2.0000758 [pdf]
- Pamies-Vila, M., Scavone, G., Hofmann, A., & Chatziioannou, V. (2017). Investigating vocal tract effects during note transitions on the saxophone (abstract). In Journal of the Acoustical Society of America (Fall 2017 meeting) (Vol. 142, pp. 2545–2545).
- Pamies-Vila, M., Hofmann, A., & Chatziioannou, V. (2017). Strain to Displacement Calibration for Single-Reeds Using a High-Speed Camera. In Proceedings of the 2017 International Symposium on Musical Acoustics (pp. 5–8). [pdf]
- Schmutzhard, S., Chatziioannou, V., & Hofmann, A. (2017). Parameter Optimisation of a Viscothermal Time-Domain Model for Wind Instruments. In Proceedings of the 2017 International Symposium on Musical Acoustics (pp. 27–30). Montreal, CA: McGill University. [pdf]
2016:
- Hofmann, A., & Goebl, W. (2016). Finger forces in Clarinet playing. Frontiers in Psychology. Performance Science, 7(1140). https://doi.org/10.3389/fpsyg.2016.01140
- Wesolowski, B. C., & Hofmann, A. (2016). There’s More to Groove than Bass in Electronic Dance Music: Why Some People Won’t Dance to Techno. PLoS ONE, 11(10:e0163938). https://doi.org/10.1371/journal.pone.0163938
- Hofmann, A., Waerstad, B., & Koch, K. (2016). Csound Instruments On Stage. In Proceedings of the NIME 2016 (pp. 291–294). Brisbane, AU: Griffith University. [pdf]
- Hofmann, A., Chatziioannou, V., Mayer, A., & Hartmann, H. (2016). Development of Fibre Polymer Sensor Reeds for Saxophone and Clarinet. In Proceedings of the NIME 2016 (pp. 65–68). Brisbane, AU: Griffith University. [pdf]
- Chatziioannou, V., Hofmann, A., Mayer, A., & Statsenko, T. (2016). Influence of strain-gauge sensors on the vibrational behaviour of single reeds. In Proceedings of the 22nd International Congress on Acoustics, ICA 2016. Buenos Aires. [pdf]
- Gangl, M., Hofmann, A., & Mayer, A. (2016). Comparison of characterization methods for B-flat clarinet reeds. In M. Cudina (Ed.), Proceedings of the 7th AAAA Congress on Sound and Vibrations (pp. 179–186). Ljubljana, Sl: ALPS Adria Acoustics Association. [pdf]
- Pamies-Vila, M., Mayer, A., Hofmann, A., & Chatziioannou, V. (2016). Measurement of dynamic bending and displacement of clarinet reeds. In M. Cudina (Ed.), Proceedings of the 7th AAAA Congress on Sound and Vibrations (pp. 171–178). Ljubljana, Sl: ALPS Adria Acoustics Association. [pdf]
- Hofmann, A., Goebl, W., & Wesolowski, B. C. (2016). Synchronisation im Jazz Ensemble (abstract). In Jahrestagung der Deutschen Gesellschaft für Musikpsychologie. Vienna, AT: Vienna University.
- Chatziioannou, V., Hofmann, A., Pamies-Vila, M., & Schmutzhard, S. (2016). Analyse der Klangformung durch Artikulation an Klarinetteninstrumenten (abstract). In Jahrestagung der Deutschen Gesellschaft für Musikpsychologie. Vienna, AT: Vienna University.
2015:
- Chatziioannou, V., & Hofmann, A. (2015). Physics-based analysis of articulatory player actions in single-reed woodwind instruments. Acta Acustica United with Acustica, 101(2), 292–299. https://doi.org/10.3813/AAA.918827
- Hofmann, A., & Waerstad, B. I. (2015). COSMO 2.0 -Csound on Stage Musical Operator (abstract). In The 3rd International Csound Conference. St. Petersburg, RU.
- Wesolowski, B. C., & Hofmann, A. (2015). Invariant Measurement and Evaluation of Cognitive and Affective Responses to Groove-Based Music (abstract). In Society for Music Perception & Cognition (SMPC). Nashville, US.
- Hofmann, A., Wesolowski, B. C., & Goebl, W. (2015). Hi-hat as groove lock in a jazz ensemble? (abstract). In Rhythm Production and Perception Workshop. Amsterdam, NL.
- Hofmann, A., & Reuter, C. (2015). Comparison of mouthpiece pressure signal and reed bending signal on clarinet and saxophone (Abstract). In A. Mayer, V. Chatziioannou, & W. Goebl (Eds.), Proceedings of the Third Vienna Talk on Music Acoustics (pp. 86–86). Vienna, Austria: Institute Of Music Acoustics (Wiener Klangstil).
- Gangl, M., & Hofmann, A. (2015). Comparison between the measured and played intonation on four e-flat clarinets in the altissimo register. In A. Mayer, V. Chatziioannou, & W. Goebl (Eds.), Proceedings of the Third Vienna Talk on Music Acoustics (pp. 45–51). Vienna, Austria: Institute Of Music Acoustics (Wiener Klangstil). [pdf]
- Hofmann, A. (2015). Controlling the Clarinet: Tongue and Finger Actions (abstract). In Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). Manchester, UK.
- Hofmann, A., Wesolowski, B. C., & Goebl, W. (2015). Rotating the Groove: Participatory Discrepancies with Varied Personnel in Jazz Trio Performance (abstract). In International Symposium on Performance Sciene (ISPS) (pp. 104–105). Kyoto, JP.
- Hofmann, A. (2015). Finger Forces in Clarinet playing (abstract). In A. Williamon & M. Miura (Eds.), International Symposium on Performance Sciene (ISPS) (pp. 68–69). Kyoto, JP.
- Wesolowski, B. C., Hofmann, A., Schultz, B., & Goebl, W. (2015). Temporal Synchronization in improvised and groove-based jazz performances (abstract). In Improvising Brain Concert and Symposium. Atlanta, US.
- Hofmann, A. (2015). Articulation and Finger Forces in Saxophone and Clarinet playing (phd-thesis) (PhD thesis). IWK - Universität für Musik und darstellende Kunst Wien.
2014:
- Hofmann, A., & Goebl, W. (2014). Production and perception of legato, portato and staccato articulation in saxophone playing. Frontiers in Psychology. Cognitive Science, 5(690). https://doi.org/10.3389/fpsyg.2014.00690
- Hofmann, A., Goebl, W., Zabransky, K., Weilguni, M., & Smetana, W. (2014). Monitoring Reed Vibrations and Finger Forces on a Viennese Clarinet (abstract). In 6th Congress of the Alps Adria Acoustics Association. Graz, AT.
2013:
- Hofmann, A., McCurdy, I., & Heintz, J. (2013). Collaborative Documentation of Open Source Music Software: The Csound Floss Manual. In J. Heintz, A. Hofmann, & I. McCurdy (Eds.), Ways Ahead: Proceedings of the First International Csound Conference (pp. 282–288). Newcastle upon Tyne, UK: Cambridge Scholar Publishing.
- Weilguni, M., Hofmann, A., Smetana, W., & Goebl, W. (2013). Fabrication and mechanical characterization of ring-shaped LTCC/HTCC finger force sensors used for performance studies in clarinet playing. In The 17th International Conference on Solid-State Sensors, Actuators and Microsystems (pp. 2741–2744). Barcelona, Spain: IEEE. https://doi.org/10.1109/Transducers.2013.6627373 [pdf]
- Hofmann, A., Goebl, W., & Weilguni, M. (2013). Evaluating A Wavelet-based Analysis Of Sensor Reed Signals For Performance Research. In R. Bresin & A. Askenfeldt (Eds.), Proceedings of the Stockholm Music Acoustics Conference 2013, SMAC 13 (pp. 398–402). Stockholm, Sweden: KTH Royal Institute of Technology. [pdf]
- Hofmann, A., Goebl, W., Weilguni, M., & Smetana, W. (2013). Zooming into saxophone performance: Tongue and finger coordination. In A. Williamon & W. Goebl (Eds.), Proceedings of the International Symposium on Performance Science 2013 (pp. 289–294). Brussels, Belgium: European Association of Conservatoires (AEC). [pdf]
- Weilguni, M., Hofmann, A., Smetana, W., Goebl, W., Nicolics, J., & Radosavljevic, G. (2013). Comparison of the Life-Time Prediction of Low/High Temperature Co-Fired Ceramics for Force Sensor Applications. In Proceedings of the 2013 Conference of the European Ceramic Society.
- Hofmann, A., Chatziioannou, V., Weilguni, M., Goebl, W., & Kausel, W. (2013). Measurement setup for articulatory transient differences in woodwind performance. In Proceedings of Meetings on Acoustics, POMA - ICA 2013 (Vol. 19, p. 035060). Montreal, Canada: Acoustical Society of America. https://doi.org/10.1121/1.4799441
- Chatziioannou, V., & Hofmann, A. (2013). Modeling articulation techniques in single-reed woodwind instruments. In Proceedings of Meetings on Acoustics, POMA - ICA 2013 (Vol. 19, p. 035059). Montreal, Canada: Acoustical Society of America. https://doi.org/10.1121/1.4799434
- Hofmann, A., Mayer, A., & Goebl, W. (2013). Towards a live-electronic setup with a sensor-reed saxophone and Csound. In Linux Audio Conference (pp. 153–156). [pdf]
- Hofmann, A., Weilguni, M., Goebl, W., & Smetana, W. (2013). Die Sensorklarinette - Ein Messinstrument für Fingerkräfte beim Klarinettenspiel. In Gesund Musizieren - Wissenschaftliche Tagung der Österreichischen Gesellschaft für Musik und Medizin (p. 69).
- Ervik, K., Hofmann, A., & Waerstad, B. I. (2013). COSMO - Csound On Stage Musical Operator (abstract). In 2nd International Csound Conference. Boston, US: Berklee College of Music.
2012:
- Weilguni, M., Smetana, W., Radosavljevic, G., Nicolics, J., Goebl, W., & Hofmann, A. (2012). Low Temperature Co-fired Ceramics Processing Parameters Governing the Performance of Miniaturized Force Sensors. In IMAPS/ACerS 8th International Conference and Exhibition on Ceramic Interconnect and Ceramic Microsystems Technologies (CICMT 2012). Erfurt, Germany. [pdf]
- Weilguni, M., Smetana, W., Hofmann, A., Goebl, W., Radosavljevic, G., & Nicolics, J. (2012). A ring-shaped LTCC/HTCC sensor for detection of finger forces in clarinet playing. In IEEE Sensors 2012 (pp. 1114–1119). Taipei, Taiwan: IEEE. https://doi.org/10.1109/ICSENS.2012.6411244
- Hofmann, A., Goebl, W., Weilguni, M., Mayer, A., & Smetana, W. (2012). Measuring tongue and finger coordination in saxophone performance. In E. Cambouropoulos, C. Tsougras, P. Mavromatis, & C. Pastiadis (Eds.), 12th International Conference on Music Perception and Cognition (ICMPC) and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM) (pp. 442–445). Thessaloniki, Greece: Aristotle University Thessaloniki. [pdf]
- Hofmann, A., Chatziioannou, V., Kausel, W., Goebl, W., Weilguni, M., & Smetana, W. (2012). The influence of tonguing on tone production with single-reed instruments. In 5th Congress of the Alps Adria Acoustics Association. Zadar, Croatia. [pdf]
2011:
- Heintz, J., Hofmann, A., & McCurdy, I. (2011). Csound - Floss Manual (First Edition). [http://floss.booktype.pro/csound](http://floss.booktype.pro/csound): Floss Manuals.
Public Outreach Publications:
2020
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Hofmann, A. and Goebl, W. (2020). Forces digitales dans le jeu de la clarinette – Biomécanique du jeu du clarinettiste. Revue Médecine des arts N°89 Etudiants en musique (French translation and re-print of Hofmann & Goebl, 2016, “Finger forces in Clarinet playing”)
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Chatziioannou, V., Hofmann, A., Kausel W. (2020). VRACE - Virtual Reality Audio for Cyber Environments in Green Paper - Boosting Virtual Reality in Learning
2019
- Waerstad, I.B., Hofmann, A. (2019). Csound and Bela: touching opcodes, Online publication in the Bela-WebBlog
2018
Public Outreach Article in ‘rohrblatt - Zeitschrift für Oboe, Klarinette, Fagott und Saxophone’ a magazine for professional woodwind players.
- Gangl, M., Hofmann, A. (2018). Intonation auf der Eb-Klarinette, ‘rohrblatt, 33(2), 57-61. ISSN 0944-0291 (pdf)
Selected Live-performances, Compositions and Sound Installations:
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Hofmann (2021) ‘Study for virtual keyboard instrument and hand tracking in a VR environment’ - U.A. 17.6.2021, NIME at NYU-Shanghai Campus.
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Hofmann (2020) ‘Study for Saxophonist Avatar and two Loudspeakers in a VR environment’ Ars Electronica Festival. Kunstuniversität Linz SOUND CAMPUS - Metaverse, 9-13 September 2020. (Information and downloads of Unity scene for Oculus Quest (VR), Win and MacOSX)
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Hofmann/Schmutzhard (2019) ‘65.4’ - 3’30” for Live electronics including digital processing and embedded systems; Alex Hofmann: halfphysler; Sebastian Schmutzhard: Cello and COSMO live electronics. International Csound Conference (2019). Cagli (IT). Video Documentation (3:30 min)
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Hofmann/Rapoport (2019) ‘KlarenzKlarenz - Steady Growth EP’, released on Wirr-Records, Alex Hofmann (Tenor Sax), Kostia Rapoport (Live Electronics)
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Hofmann, A. (2018) ‘Tight-Interlocked Oscillators’ appears on CD compilation “Drop The Beat” EDITION DEGEM – ed07.
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Hofmann, A. (2018). ‘COSMO Collective - Bela Tenor Saxophone with integrated Live-Electronics’, Linux Audio Conference, Berlin (DE). Video Documentation (12:00 min)
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Hofmann/Rapoport (2018) ‘KlarenzKlarenz - Standardmaßnahmen’ was released on Wirr-Records, Alex Hofmann (Alto Sax), Kostia Rapoport (Piano + Live Electronics)
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Hofmann, A., Waerstad, B. I. (2015). ‘COSMO Collective’, New Interfaces for Musical Expression, Brisbane (AU). Video Documentation (10:38 min)
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Hofmann/Rofalski (2015) ‘Nd2Fe14B’ appears on CD compilation “Seltene Erden” (DEGEM-CD 12) for piano and live-electronics.
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Hofmann/Rofalski (2012) - Free improvisation at ExTempore II Festival. Hannover, 1-4 November 2012.
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Hofmann, A. (2010) ‘Burn-Out Remixed’ for 4 channel audio performed at Extempore I Festival 30.10.2010 (Video)
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Hofmann, A. (2007) ‘Isolation im Kollektiv’ sound installation, UA: 5.-7.10.2007: zeit.punkt festival (hgnm), Hannover
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Hofmann, A. (2006) ‘Burn-Out’, performance with an interactive music system. UA: 24.1.2007: Kestnergesellschaft Hannover, 23.6.2007: ZKM, Karlsruhe
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Hofmann/Rapoport (2006) ‘Zeitverschwendung - ein Zählwerk für CD-Spieler (Waste of time - a counter for CD players)’, sound art, sound installation UA: 3.-5.11.2006: Radialsystem V, Berlin
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Hofmann/Rapoport (2005) ‘15:30 oder: Wer möchte für Studiengebühren schon seine Tennisclubmitgliedschaft kündigen müssen?’ Live-Electronics (Max/MSP), UA: 11.6.2005: ZKM, Karlsruhe
External Sources / Infos:
- ORCID-ID
- Research-Gate
- Google-Scholar
- EM-Doku
- Department of Music Acoustics - University of Music and Performing Arts Vienna