Grund, T. (2024). Polyomino Interface for Pitch Lattices. International Csound Conference 2024, Vienna, AT.
Hofmann, A. (2024). DIWhy and How: Commentary on “DIY musical instruments” by Brown and Ferguson (2024). Journal of Ubiquitous Music (j-Ubimus), 1(1), 25–27. pdf
Grund, T., Luong, T. H., Hofmann, A. (2024). Challenges and Prospects in Remote Cross-cultural Musical Interface Design. In NIME 2024, Utrecht, NL. pdf
Chatziioannou, V., Pàmies-Vilà, M., & Hofmann, A. (2024). Physics-based playability maps for single-reed woodwind instruments. JASA Express Letters, 4(3), 1–6. https://doi.org/10.1121/10.0025281
Zorn, D. (2024). From ‘Stria’ to ‘Metastasia’ – fantastic proliferations of a revived algorithm; Destruction and creation of algorithms as a creative dichotomy and artistic research procedure to explore interpretative space within computer music repertoire (abstract). In European Platform for Artistic Research in Music (EPARM) 2024, Academy of Music, Ljubljana, SL.
Kariũki, N. & Hofmann, A. (2023). Workshop on Body Percussion and Live Electronics. In Proceedings of UbiMus2023 - International Symposium on Ubiquitous Music, Ulster University, Derry, Northern Ireland, UK.
Zorn, D. & Hofmann, A. (2023). Exploring interpretations of algorithmic compositions as live electronic performances. A Case Study on Chowing’s ’Stria’ (abstract). In Programm of Vintage Materialities in Music. Orpheus Instituut, Ghent, BE.

Upcoming Performances

22.11.2024 Hanover University of Music, Drama and Media (https://www.hmtm-hannover.de/de/alle-veranstaltungen/?no_cache=1), Kammermusiksaal, Uhlemeyerstraße 21, Hanover, DE.

Past Performances

21.–23.3.2024 - Not-the-L8Nite Performance by Dustin Zorn at European Platform for Artistic Research in Music (EPARM) 2024, Academy of Music, Ljubljana, SL.
17.2.2024 KMRU live-electronics performance and talk ‘Fraught’ at Kilele Summit “Bass Camp” in Nairobi (KE)
16.2.2024 – Mizizi Ensemble performance at The Mist, Nairobi (KE) featuring the music of Halim El-Dabh, as well as their own compositions and improvisations. Performers: Nyokabi Kariũki, Monrhea Carter, Bernt I. Waærstad, Kostia Rapoport, Tim Grund, Labdi Ommes, and Alex Hofmann
12.–18.2.2024 - Concerts, Performances, Talks and Workshops at Goethe Institute Kenya and Santuri East Africa in Nairobi by KMRU, Nyokabi Kariũki, Monrhea, Bernt I. Waærstad, Kostia Rapoport, Astrid Bin, Tim Grund, Labdi Ommes, ..
13.10.2023 - Workshop Concert at Future Art Lab Vienna with pieces by Luong Hue Trinh, John Chowning and students of the composition class by Prof. K. Essl (mdw)
19.7.2023 Performance of ‘Stria’ by John Chowning as a live-electronics duo-performance by Dustin Zorn & Alex Hofmann, Akademie der Künste Berlin, DE.
28.–30.6.2023 - Lecture-Recital at Orpheus Instituut, Ghent, BE.
10.2.2023 Showcase Concert of Workshop at Santuri, Nairobi, KE.
5.11.2022 “Transmission Chain Experiment” - Labdi Ommes, Bernt Isak Wærstad & Alex Hofmann (Orutu, Live-Electronics, Saxophone), Athlone, IR.

Nairobi hosts first-ever music technology conference by NANCY WAINAINA in THE STAR (Feb. 15th 2024)
Rewiring Nairobi: ownership and electronic music in Kenya’s capital written by MARTIN GUTTRIDGE-HEWITT in DJ-Mag (June 2024)