Simulation of Brass Instruments

(Paul Anglmayer)

Computer Model foundations

Limitations of Model

Comparison Measurement Calculation

Literature

Computer Model foundations

The computer model used in BIAS is founded upon electronic analogies found in acoustics research. An instrument is treated as a dissipative transmission-line. The sound pressure is analogous to the voltage and flow of the current. Thermoviscouse losses are accounted for by appropriate (complex) resistance. The circuit is terminated with a radiation impedance [Zt], that results in partially reflected waves, as in a real instrument.

The computation of the instrument over its length is done through a series of conical and cylindrical sections. The acoustical transmission properties of these single elements may be exactly determined through frequency-dependent matrices (Ai(f))- see [5] for exact matrices.

trompauf.GIF (17868 bytes)

Fig. 1: Sectioning of trumpet tube length (mensur) into smaller elements

aif.gif (1463 bytes)pif.gif (1515 bytes)

Pressure (p) and velocity (u) before and after the i-th element overlap.

The impedance [Zi] at i results from

zif.gif (1139 bytes)

The transmission characteristics of the complete instrument are achieved by calculating the product of the partial matrices

af.gif (1120 bytes)

The computation of the input impedance is completed in reverse order, beginning with the radiation impedance.

impedanztromp.gif (7707 bytes)

Fig. 2: An impedance curve simulated using BIAS

Limitations of the model

Possible sources of error are:

tri-red.GIF (118 Byte) the possible erroneous measurement of the inner dimensions (mensur) of the tube
tri-red.GIF (118 Byte) the assumption of a circular cross-section of the mensur
tri-red.GIF (118 Byte) that only the fundamental mode is observed.

In the case of a cylindrical tube with a known geometry, these limitations lead to a reliable simulation in the frequency range

f.gif (1031 bytes)

d is the maximum tube diameter [m] and c is the sound speed [m/s]. With complicated tube dimensions as they occur in real brass instruments, estimated accuracy of 60-80% is more realistic.

Diameter of the bell

ideal cut-off frequency

80% of the cut-off frequency

60% of the cut-off frequency

10,0 cm

2001,0 Hz

1600,8 Hz

1200,6 Hz

12,0 cm

1667,5 Hz

1334,0 Hz

1000,5 Hz

14,0 cm

1429,3 Hz

1143,4 Hz

857,6 Hz

16,0 cm

1250,6 Hz

1000,5 Hz

750,4 Hz

18,0 cm

1111,7 Hz

889,3 Hz

667,0 Hz

20,0 cm

1000,5 Hz

800,4 Hz

600,3 Hz

22,0 cm

909,5 Hz

727,6 Hz

545,7 Hz

24,0 cm

833,8 Hz

667,0 Hz

500,3 Hz

26,0 cm

769,6 Hz

615,7 Hz

461,8 Hz

28,0 cm

714,6 Hz

571,7 Hz

428,8 Hz

30,0 cm

667,0 Hz

533,6 Hz

400,2 Hz

Table 1: Validity range according to the formula for variable diameter with c=345m/s

Within the aforementioned limitations, the position of the resonance peaks may deviate on an average of less than 0.6% (10 cent) in calculations.

The height of the resonance peaks deviates with an error of 15-25%.

Comparison of measurements and computations

Comparisons of simulations with measurements lead to the following observations:

tri-red.GIF (118 Byte) The computation assumes a sound speed of c=345m/s, which represents a temperature of 23.6 degrees Celsius. If an experiment is performed at another temperature, the basic tuning of the instrument is no longer constant.

tri-red.GIF (118 Byte) The measurement system of BIAS replaces the lips of the musician with a rubber disc with protrudes into the mouthpiece and reduces its volume. The mensur must be accordingly shortened by 2mm.

 

Literature

[1] Caussé René et. al.: "Input impedance of brass musical instruments-Comparison between experiment and numerical models", J. Acoust. Soc. Am. 75(1), S 241 ff., 1984

[2] Keefe Douglas H.: "Acoustical wave propagation in cylindrical ducts: Transmission line parameter approximations for isothermal and nonisothermal boundary conditions", J. Acoust. Soc. Am. 75(1), S 58 ff, 1984

[3] Lampton M.: "Transmission Matrices in Electroacoustics", Acustica 39, S 239 ff, 1978

[4] Levine Harald / Schwinger Julian: "On the Radiation of Sound from an Unflanged Circular Pipe", Physical Review 73(4), S 383 ff, 1948

[5] Mapes-Riordan Dan: "Horn Modeling with Conical and Cylindrical Transmission-Line Elements", J.Audio Eng. Soc. 41(6), S 471 ff, 1993